Original Research

Time and space – The context of Hans Roosenschoon’s music

Berth Spies
The Journal for Transdisciplinary Research in Southern Africa | Vol 10, No 3 | a182 | DOI: https://doi.org/10.4102/td.v10i3.182 | © 2014 Berth Spies | This work is licensed under CC Attribution 4.0
Submitted: 07 March 2016 | Published: 30 December 2014

About the author(s)

Berth Spies, Research partner in the School of Music at the North-West University, South Africa, South Africa

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This essay pays tribute to Hans Roosenschoon who celebrated his 60th birthday in December 2012. In contrast to conventional approaches that focus on local ideologies and local political issues, the essay explores the context of Roosenschoon’s music from a global and a historical perspective. Taking as point of departure the pluralist nature of postmodernism, it investigates the interaction of cultural spaces, particularly those occupied by ‘African’ and ‘Western’ musics. The entanglement of time and space is shown to be manifest in complex, multifaceted contemporary musical worlds. In doing so, the essay interrogates the conventional absence of the ‘voice’ of music in context- driven musicology. An approach that acknowledges music as an equal partner in the musicological enterprise shows an alignment of Hans Roosenschoon’s music with global trends and issues of his time.


Hans Roosenschoon; musical space; musical time; postmodernism; intercultural music; African music


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Crossref Citations

1. Fusion of time and space in Hans Roosenschoon’s music: A pre-analytical strategy
Bertha M. Spies
The Journal for Transdisciplinary Research in Southern Africa  vol: 13  issue: 1  year: 2017  
doi: 10.4102/td.v13i1.343